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-   -   Ishkur's Guide to Electronic Music (http://www.p2p-zone.com/underground/showthread.php?t=18926)

daddydirt 03-03-04 09:23 AM

Ishkur's Guide to Electronic Music
 
fun Flash site:)

http://www.di.fm/edmguide/edmguide.html

Quote:

This guide is a non-technical, irreverent critique of electronic dance music. Its purpose is to entertain before it informs. I suppose it could be used as a credited resource or educational primer, but that's not recommended since i made most of it up. Several biases here are celebrated lavishly, because downcasting people for their taste in music is close-minded. Except if their taste in music sucks.

JackSpratts 03-03-04 12:33 PM

there's a phd in music genrology in there somewhere. it can be yours in about eight minutes.

great site dd. :tu:

- js.

multi 03-03-04 07:01 PM

thats pretty neat ..:AP:

greedy_lars 03-03-04 09:29 PM

cool site dood:) i left it on house/eurobeat while i went to get the pizza out of the oven, and it was horrible, i was running to click on something else. :er:

Mazer 04-03-04 01:01 PM

His comments on new age music alone are worth it. After exploring the whole thing I kinda wonder where the whole electronic music industry is headed. I tend to like the older stuff better.

Mazer 27-04-06 04:54 PM

Bump for the updated version 2.5 of the guide, which now includes a primer on electronic instruments throughout history. It's almost educational. ;)
Quote:

In 1761, Johann Maelzel came upon the brilliant idea of creating the Panharmonicon, which was the first mechanical keyboard that, although technically not electronic (it ran on diesel fuel) automated the playing of all the other instruments in the orchestra. Maelzel then went on to design a universal spec for the Panharmonium by which every musical instrument everywhere could adhere to, so they could be hooked up to one another for universal control and compatibility. Where trumpets could play drums and violins could play clarinets and that sort of stuff. He called it Medieval MIDI, and it was a revolutionary concept for the time, but despite its endorsement by larger-than-life composers like Beethoven, it wasn't received too well so Maelzel would have to wait another 200 years before his dream of hooking every instrument up into the Voltron symphony would be realized.


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